As promised, here is the tale of how I got the colours to pool so nicely in my smaller Rainbow Cake hat. The pastel rainbow colours of the yarn (Madelinetosh's Pure Merino Worsted in 'Pocket Rainbow') practically demanded that I have a go at controlled colour-pooling, and I couldn't be happier with the way it worked out. :)
The first step, of course, was swatching.
Read MoreIt's been a while since I released a new hat design, but here we go!
Rainbow Cake is a cosy textured beanie designed to complement speckled or gently-variegated yarn. I really enjoyed knitting the two samples for this design, they went so fast compared to my usual diet of shawls (much as I adore them).
The arcs of ribbing remind me of rainbows, and the seed stitch texture looks like sprinkles when you combine it with a speckled yarn. I used two special skeins of madelinetosh yarn for these hats: one skein of Pure Merino Worsted in 'Pocket Rainbow' for the small sample, and one of 80/10/10 Worsted in 'Holi Grunge' for the large one. I really love the colour-pooling in the smaller hat, which I managed to achieve after a false start or two - but I'll tell you more about that in another post.
Because you only need one skein of yarn for either size (including the pompom and gauge swatch), a Rainbow Cake hat might be just the thing for one of the single skeins in your stash...
The two sizes are intended to fit kids with a head circumference between 16-19” / 40.5-48.5cm (Small size), and adults with a head circumference between 20-23” / 51-58.5cm (Large size).
texture made up of arcs of ribbing and seed-stitch panels
topped with an an optional pompom
a quick one-skein project, perfect for gift knitting
two sizes, for children and adults
requires one skein of worsted-weight yarn
suitable for speckled, semi-solid, or variegated yarn
pattern includes full written instructions as well as charts.
Find out more about my Rainbow Cake pattern, including Ravelry and Payhip purchase options.
If you're curious which recipe I used for my delicious photo props, it's the classic vanilla cupcake recipe from the Edmonds Cookbook, with my favourite lemon icing. Serious 80s birthday party nostalgia!
You may have noticed my blog looks a little different than it used to - and you'd be right! I've been working on refreshing the 'look' of my knitting design business, to match my current taste and design style a bit better. I do hope you like it. :)
I went through quite a lengthy process of collecting images to use as inspiration, and reading up on typography + logo design + branding in general. Yes, it would all have been much faster if I'd hired a pro to sort it out for me, but I was curious to learn about these areas, and I'm a bit of a control freak when it comes to design, especially for an important project like this.
My 'inspiration board'
I wanted a light, bright, beautiful feel, with a handmade, playful side to it. I also really wanted to keep yellow in the mix, since that colour means happiness to me. My 'inspiration board' features swirling shapes, yellows and golds, details from Klimt paintings, music in the form of a violin scroll, and nature in the form of trees, flowers, and bees.
I love any excuse to get out our art supplies, and I had a lot of fun drawing and tweaking my new logo. Because I'm a massive nerd, the starting point for my hand-lettering style was an 18th-century title page for a book of keyboard music by J.S. Bach:
Here's the the finished lettering for my logo, together with a circle of purl stitches in light, warm yellows:
Did you know the Baroque period in music (when my faves Bach and Handel and Monteverdi were composing) gets its name from 'baroque' shaped pearls? This type of pearl is irregular and bumpy, and the analogy to music was originally meant as an insult, much like 'Impressionism' in painting. My yellow circle of purls is my attempt at a pun - it's a baroque pearl made of purls.
I also sketched a loose, flowy texture based on the structure of plain stockinette or garter stitch, which I'll use as a background or wherever it's needed. I made a little stop-motion video of myself inking over the pencil sketch, just for fun...
(Click to play gif!)
I'm hoping these elements, along with my new colour palette and selection of fonts, will be versatile enough for all of my blog, social media, newsletter, and pattern layout needs. I'll be updating all of these over the next while! And most exciting of all, I'm going to be working on a new website to house a pattern gallery, with tutorials and everything else all in one place.
In case you're curious, this book is one of the main resources I used for this whole process. It's been fun, but I admit I'm impatient to get back to focusing on designing!
It's always exciting when I can finally share one of my secret projects! Today Leadlight gets its big reveal, as part of Brooklyn Tweed's Wool People 11. This is my third Wool People outing, and the third of my designs in Brooklyn Tweed's wonderful yarn (the first two being my Amarilli and Kea shawls).
Be sure to browse through the WP11 lookbook, which is completely gorgeous! I like to save them up until I have a little uninterrupted time to soak up the inspiration. :)
Leadlight, photo by Jared Flood
Leadlight is a rectangular stole in laceweight yarn, featuring large-scale geometric lace. I was inspired by the image of sunlight streaming through glass panes, and the memory of a small geometric stained-glass window I had in my room which my Dad had made (picture framers are good with glass, after all).
(Photos by me, before I sent Leadlight off to the USA.)
The lace is simple to knit, while the construction and finishing methods keep things interesting: beginning with a circular cast on, the centre of the stole is knit in the round as a square. After placing some of the stitches on hold, the two ends of the stole are each knit flat to create a rectangular shape. Finally, a garter stitch border finishes off the edges.
The centre of the stole, worked outwards from the pinhole cast on
The garter stitch border keeping things crisp
Vale is a new laceweight yarn from Brooklyn Tweed, a springy, plied yarn that's light and soft, but substantial and full of personality. It blocks easily and drapes beautifully, which makes it just perfect for lace knitting.
I knit my Leadlight stole in the colour Heron, which is a calm, neutral, mid-toned grey with a subtle sheen to it. The whole Vale colour palette is beautifully subtle - I definitely plan to use this yarn for more lace projects!
A close-up of the centre
an all-over geometric lace pattern
constructed from the centre out, with two sides extended to form the rectangle
a circular cast on (instructions for the Pinhole Cast On are included)
a garter stitch border all around the edge
a stretchy bind off (instructions for the K2tog-tbl Bind Off are included)
easy to alter the length by working a different number of repeats
requires 3 skeins of Brooklyn Tweed Vale, or 1170yds of laceweight yarn
the lace instructions are presented as charts only.
Drapery studies...
I love a picot bind off on a shawl! The little picot-bumps along the edge add an extra dose of lacy prettiness, and it's also a nice and stretchy method, which makes it perfect to use with lace. Two of my shawl designs call for a picot bind off: Budburst and Liquid Honey.
The picots are created by casting on a few extra stitches, and then binding off normally to the place you want your next picot to be. Casting on more stitches creates a larger picot, and binding off more stitches spaces them further apart.
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