New pattern: Candy Cones

Introducing Candy Cones, a collection of little stuffed ‘trees’ which I designed to brighten up my apartment during the holidays. I've been wary of putting up a proper Christmas tree because my cats like to get into absolutely everything, so I designed these as a safe (and cute!) alternative. With five texture options, you can choose the difficulty level according to what you feel like knitting: stockinette, or mini bobbles, or fiddly travelling cables. And they’re so nice and quick it’s hard to make just one.

Inspiration & design journey

The cable textures for these little cones went through a number of iterations, and taking them from my rectangular swatch to the actual cone shape threw up a few surprises. It turned out that dotting the diamond-trellis and swirl cables with bobbles made for a much too fiddly knitting experience once shaping was brought into the mix, so after some head-scratching I edited out the additional bobbles. I want these little cones to be fun to make as well as to look at, and sometimes making things extra complicated is just not worth it. While the final cable textures are still fiddly, especially in the later rounds, they’re still doable - and those last few rounds are over in a flash!

Yarn requirements

When I was choosing my yarns for this pattern, the most important thing was colour. I wanted clear, cheerful colours in pinks and greens, ideally available in smaller balls or skeins so that I could use a few different shades. I settled on Scheepjes Stone Washed (78% cotton, 22% acrylic; 142yds/130m per 50g ball) in Tourmaline, Rhodochrosite, Turquoise, and Malachite for my cable and bobble textured cones, which has a subtle semi-solid look that shows off the textures well. For my stockinette cones I used Scheepjes Twinkle (75% cotton, 25% polyester; 142yds/130m per 50g ball) in 923, 926, 934, and 941, which has a pretty lurex sparkle that’s tricky to capture on camera.

Special techniques

Each cone begins with a Pinhole Cast On. My favourite tutorial for this method is this illustrated one by Emily Wessel of Tin Can Knits: Pinhole Cast-On.

After working the base in garter stitch, it’s time to pick one of the five texture options and knit the cone. If you haven’t tried knitting mini bobbles before, you might find my tutorial useful: How to work mini-bobbles. And if you’d like to try my favourite method for working the little 1-over-1 cables, I have a tutorial for that too: How to work mini-cables without a cable needle. A few of my clever test knitters added beads to their cones, which is a really cute modification! I’m currently working on a tutorial for a beaded cone as a bonus option, so look out for that in the next few days.

I recommend adding a circle of cardboard or plastic to the base of the cone just before you work the first decrease round, to keep the base nice and flat. You can also add tiny weights on top of the circle if you wish (e.g. poly pellets or pebbles). Begin to add stuffing to the cone when you are about two thirds of the way through the patterned rounds, and then add more just before you work each remaining decrease round. I’ve included the photos below as a visual example of when to stop and stuff.

Candy Cones features:

• Stuffed decorative cones (or trees) with five texture options to suit your preference

• Each cone requires less than half a 50g ball of sport weight yarn: 47yds/43m (for stockinette cones) or 67yds/61m (for patterned cones)

• Shown in Scheepjes Stone Washed (78% cotton, 22% acrylic; 142yds/130m per 50g ball) and Scheepjes Twinkle (75% cotton, 25% polyester; 142yds/130m per 50g ball)

• Choose a springy yarn to make the cable and bobble textures easier to knit

• Dimensions when stuffed: 3.25”/8.5cm diameter at base, and 7”/18cm tall.

I can confirm that they stand up to cat shenanigans pretty well! One cone even survived a stabbing with a plastic pterodactyl beak at the hands of my four-year-old nephew, which is pretty impressive if you ask me.

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Find out more about my Candy Cones pattern, including Ravelry and Payhip purchase options.

Pattern update: The Beeswax Set

My Beeswax Hat, Cowl, and Mitts have been some of my most popular patterns since I first published them nearly a decade ago. My pattern writing has evolved a lot since 2014 when I first published them, and even more since 2018 when I last updated their charts and layout. And because I want them to continue to reflect my best work as a designer, I’ve been working on a big update to polish them up.

The Beeswax Hat, Cowl, and Mitts knit in Pakihi DK from Ruataniwha Dye Studio.

The changes

My main intention was to update the ribbing instructions, which I’ve had the occasional question about over the years. But after making that change and looking more closely, I found more and more tweaks I wanted to make. One of the new changes I’ve made is updating the cables to include purl stitches, where they originally included only knit stitches for the sake of simplicity. I decided the slightly more polished look of the purl cables was worth making the switch. It doesn’t make a huge difference to the appearance of the cables, but I personally find it more satisfying!

Additional changes include a new smaller size for the Beeswax Hat (for kids!), a taller option for the Beeswax Cowl, a larger gauge option for the Beeswax Mitts, stitch counts added throughout to reflect the variable stitch pattern repeat, new schematics, and additional small tweaks to bring the patterns in line with my current style.

I blocked this Beeswax Hat over a balloon to show off the pretty crown decreases. The Beeswax Cowl in the background is the new taller size.

New samples

As part of this process I knit up some new samples to show off the new sizes. As a designer I find knitting my way through a pattern super helpful, because I can refine it as I go and catch any errors. For most of the new samples I used Pakihi DK from Ruataniwha Dye Studio, a woollen-spun blend of NZ polwarth and arapawa wool. The cables are beautifully crisp in this yarn! And for the smaller Beeswax Hat, I used Possmerino DK from Trichromat Yarns, which has a lovely soft halo and luxurious softness.

The new smaller Beeswax Hat, knit in Possmerino DK from Trichromat Yarns.

Finally, I had the updated patterns professionally tech edited to make sure they’re as clear and error-free as possible. I hope you love the refreshed patterns, which are now available on Ravelry and Payhip.

New pattern: Observatory Gate

In the mood for some cosy cables? This squishable scarf was created in collaboration with John Arbon Textiles, who are launching their new Yarnadelic Worsted yarn tomorrow (which just happens to be my birthday - I’ll be 43)! The Observatory Gate scarf is thick and cosy, with an all-over cable pattern meandering to and fro over a background of reverse stockinette.

Every now and then I see something when I’m out and about and just know it needs to be turned into knitting somehow. Inspiration struck during a walk through Melbourne’s Royal Botanic Gardens when I laid eyes on the intricate wrought-iron Observatory Gate, so named because it marks the way to an old historic observatory. I snapped the photo below and began charting and swatching, trying to find an effective way of capturing the gate’s wavy, fluid trellis-pattern in knitting. After many false starts involving twisted-stitch mini-cables, larger cables, and even colourwork, I hit upon this cable pattern which strikes a good balance between knitability and aesthetics.

The Observatory Gate at the Royal Botanic Gardens, Melbourne Australia

To knit my sample I used 5 skeins of Yarnadelic Worsted by John Arbon Textiles, which is 100% Falklands Corriedale wool, at 235yds/215m per 100g skein. Yarn kits for this pattern will be available on their website shortly, in a range of beautifully-heathered colour options. I used the colourway ‘Black Gold of the Sun’, a complex greenish-black shade perfect for evoking old ironwork. I haven’t knit many cabled projects in a colour this dark, but now that I’ve tried it I’m obsessed. Shoutout to my new-ish pair of reading glasses, without which I would not have been able to weave in the ends no matter how good the lighting!

I love how the woolliness of the yarn helps minimise the little imperfections in my tension; my usual stretched-out cable stitches look much better after washing and blocking. I’ve previously used the sport-weight version of Yarnadelic for knitting colourwork (in my Cat’s Eye Cowl), and I thought it worked brilliantly - the woolliness once again helps smooth everything out and makes for a cohesive fabric, and there are so many inspiring colour options. I’ll definitely keep the worsted version in mind for heavier-gauge colourwork.

The scarf measures 77”/195.5cm in length, which can be adjusted by working a different number of cable-pattern repeats, and the 13”/33cm width is easily adjustable by adding or subtracting a multiple of 12 stitches to the cast on. If you’re confident with working 2-over-2 cables this should be a nice straightforward project with an impressive result.

I recommend blocking your scarf once it’s finished to tidy up any wonky stitches and help the edges uncurl. I wet-blocked mine by soaking it in warm water with a little wool wash, gently rinsing it and squeezing out the water, and carefully laying it out flat to dry. I didn’t use any pins or wires because I didn’t want to risk stretching it too much and flattening the cables. Instead I smoothed it out with my hands, and used a long wooden ruler to check the edges were straight and even.

My scarf laid out to dry on my foam blocking mats - please excuse the claw and nibble marks, my cats are a bit too keen on these mats!

Observatory Gate features:

• A scarf knit from end-to-end, with an all-over pattern of interlinked cables

• One size is included in the pattern, with suggestions for adjusting the length and width

• Requires 1,107yds/1,012m of worsted weight yarn (shown in John Arbon Textiles Yarnadelic Worsted)

• Choose a non-superwash wool yarn in a solid or heathered shade

• Scarf dimensions, relaxed after blocking: 77”/195.5cm length, and 13”/33cm width

• Charts and written instructions are both provided in full.

My little helpers love to get in on the photoshoot action.

Find out more about my Observatory Gate pattern, including Ravelry and Payhip purchase options.

New pattern: Heartwood Hat

It’s one year to the day since I released my Heartwood Cowl design, and at long last it has its companion hat! Introducing the Heartwood Hat, a cosy, deeply-textured beanie in DK-weight yarn featuring an all-over pattern of cabled hearts entwined with ribbing.

I actually started working on the hat design long before the cowl, but got bogged down in puzzling out the crown decreases. After a lot of unsuccessful swatching I put the hat to one side and concentrated on the cowl, and just before that pattern was ready to publish I was struck by a new idea for the hat! Sometimes sleeping on a puzzle takes rather a lot of sleeps before the brain spits out a solution. And here it is: some ribbing, a few twists, and some petal shapes in between.

The Heartwood Hat sample blocking over a balloon.

A tip from my fabulous test knitter Myriam (strickeyhands on Ravelry): if you find your stitches look a little sloppy in the crown decreases section, switch back to your smaller needles.

The yarn I used for the sample is once again from the fabulous Aussie dyer Happy Hank Co. To knit the larger size I used one 100g skein of Classy DK, but you could also use fingering-weight yarn held double, as one of my test knitters did to great effect. Classy DK is a smooth, multi-plied, superwash merino yarn, and the colour, Soba, is a very gentle pale pink. To really show off the complex cables I recommend choosing a solid or near-solid colourway, or some subtle speckles.

Two sizes are included in the pattern, and the larger size is comfortable and slightly slouchy on my 22”/56cm diameter head. It’s long enough to wear with the brim pulled down for cosiness or with a short turn-up.

Skills needed to work this pattern include the Long Tail Cast On (or your favourite for 2x2 ribbing), working in the round, working 2-over-2 cables and a few six-stitch cables, and working decreases. Both charts and full written instructions are included.

Heartwood Hat features:

• a beanie hat knit in the round from the bottom up, with an all-over texture of cabled hearts and ribbing

• two size options are included in the pattern, each using only a single 100g skein

• requires 167 (200)yds/153 (183)m of DK-weight yarn (shown in Happy Hank Co Classy DK)

• choose a smooth, multi-plied, worsted-spun yarn in a solid or near-solid colour

• hat dimensions, relaxed after blocking and unstretched: 15 (18)”/38 (46)cm brim circumference, and 8.5”/21.5cm length from cast-on to crown, to fit 18-20 (21–23)”/46-51 (53.5-58.5)cm head circumference. Sample shown in larger size on my 22”/56cm head

• charts and written instructions are both provided in full.

Find out more about my Heartwood Hat pattern, including Ravelry and Payhip purchase options.

New pattern: Heartwood Cowl

Getting this pattern from the idea stage to its final form has followed a similar path to my Beanstalk Hat from earlier this year - a long and meandering path! At first I intended to design a DK-weight hat with columns of heart-shaped cables, but I couldn’t find a solution I liked for the crown decreases that resulted in a well-balanced-looking hat. Eventually, after a lot of ripping-out of hat crowns, I realised a cowl would work beautifully with the heart-cables flowing in and out of 2x2 ribbing. One more swatch in fingering-weight yarn, and I had my design all planned out.

(Note: Just recently I came up with another idea for the disagreeable hat decreases, so a matching hat just might be in the cards!)

I started knitting the sample for the Heartwood Cowl back in early August, at the beginning of the second Melbourne lockdown. It’s an absorbing knit which requires concentration, and between the warm comforting colour and the slightly fiddly cables it’s been the perfect lockdown project for me. The cowl’s pattern of intertwined cabled hearts is a slightly on-the-nose design element in honour of my loved ones back home in New Zealand, who I hope to be able to see next year if all goes well in the world.

The delicious brown yarn I used to knit the sample is a fingering-weight merino from Happy Hank Co - Classy Fingering (100% superwash merino; 437yds/400m per 100g skein) in the Cinnamon colourway. The combination of a fingering-weight yarn and densely-cabled texture produces a squishy and substantial fabric, with a little more drape than you might get from a heavier yarn. When choosing the yarn for this pattern, look for a smooth, multi-plied, worsted-spun yarn for a similar effect. I recommend choosing a solid or near-solid colourway to show off the texture.

I’ve included three height options in the pattern, the shortest of which uses only a single skein. The circumference is also easy to adjust to your preference by adding or subtracting repeats. Some of my wonderful test knitters even adapted the pattern to different yarn weights for their projects, including DK, worsted, and aran weights. If you’d like to use a heavier yarn, I’d recommend planning for fewer repeats - for example you might cast on eight 24-stitch repeats instead of the original ten.

Skills needed to work this pattern include the Long Tail Cast On (or your favourite for 2x2 rib), working in the round, and working 2-over-2 cables. There are also a few six-stitch cables in the mix, confined to three rounds per pattern repeat. Both charts and full written instructions are included.

Heartwood Cowl features:

• a cowl knit in the round from the bottom up, with an all-over texture of cabled hearts and ribbing

• three height options are included in the pattern, the shortest of which uses only a single skein, and the circumference is easily adjustable to your preference

• requires 351 (496, 641)yds/321 (453, 586)m of fingering-weight yarn (shown in Happy Hank Co Classy Fingering)

• choose a smooth, multi-plied, worsted-spun yarn in a solid or near-solid colour

• cowl dimensions, relaxed after blocking: 24”/61cm in circumference, and 7.5 (10.75, 14)”/19 (27.5, 36)cm high from cast-on to bind-off. Sample shown in 14”/36cm height

• charts and written instructions are both provided in full.

Find out more about my Heartwood Cowl pattern, including Ravelry and Payhip purchase options.